Landscapes I-XII

Landscapes I–XII marks the beginning of an exploration into landscape as pure expression—where structure dissolves and atmosphere takes precedence. These paintings were born from the first true experience of seeing nature not as fixed forms but as shifting impressions, light, and movement. Through abstraction, the landscapes became something beyond representation—a space where color and gesture capture the fleeting, the intangible. This series was a turning point, freeing the painting process from constraints and allowing the landscapes to emerge as reflections of perception rather than depictions of place.